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How patient are you? Are you willing to try something over and over ad infinitum, never resting till you have it “just so,” or do you subscribe to the “if at first you don’t succeed, quit” mentality? If you’re one of the tenacious former types, how many times will you keep tweaking something before you say, “enough”? Five? Ten? How about 46. That’s how many attempts Master Distiller Kevin Smith of the venerable Maker’s Mark Distillery of Loretto, Kentucky, made before finally achieving his version of bourbon nirvana: Maker’s 46.

To create this unique whisky (yes Marker’s Mark purposely uses the Scottish spelling), Smith started with the best raw material he could find, namely, barrels of mature Maker’s Mark bourbon. The whisky is siphoned out and a series of ten seared oak staves are affixed to the inside of the barrel before the bourbon is returned to the barrel and left to mature, not for any specific length of time, but just until it tastes right.

The venerable Rooftop Lounge perched on the top floor of Toronto’s luxurious Park Hyatt hotel was the venue for a special whisky tasting for the Friends of Laphroaig hosted by Master Distiller John Campbell. Friends of Laphroaig (pronounced La-froyg) is a club of sorts - and a rather large one at that with close to 480,000 members - united by common enthusiasm for Laphroaig, the top-selling single malt from Scotland’s isle of Islay.

“There are about 3,200 people on Islay and eight distilleries,” Campbell kicked off, “so we’re the happy island.’” Campbell went on to explain that the Laphroaig distillery “legally” opened in 1815 (most of the country’s stills began as illegal operations until the early 1800s when the government relaxed the rules on operating legally and also took measures to make illegal distilling more difficult). He then took us on a “guided tour” (via presentation) of the distillery and all aspects of distilling Laphroaig single malt. The distillery website (www.laphroaig.com) contains much of what was presented as well as other interesting tidbits, so we’ll skip rehashing things and get right to the tasting notes.

For those unfamiliar with the Islay style, they are not for those with timid palates. Aggressive, smoky, medicinal and reminiscent of sea spray describes most of them. However, they typically have underlying fruit, spice and floral notes.

Smell is a potent wizard that transports us across thousands of miles and all the years we have lived. Helen Keller

Ah yes, Helen, you couldn't have been more right. Nothing takes one back to a moment in time so quickly, automatically and completely as the sense of smell. It is primal and instinctive. It stimulates pleasure and alerts us to danger. It can dictate mood – happy, sad, relaxed, excited. It is the one sense that is most closely linked to memory.

Smell, that silent, invisible force, is like an internal GPS system guiding the mind’s eye often before any other sense comes into play. Inhaling the aroma of a great dish, a fine wine or sexy perfume instantly brings to mind the memory of a place, time or person. It can also signal, “Danger Will Robinson, danger!”
The clothes we wear might shout, “You hoo, look at me.” But, the right perfume can do that, too, in a much more subtle way – unless you OD on it, of course. The reaction to smell is so automatic that the body’s immediate reaction is often difficult to control, whether you like the smell or not. You might be able to turn your eyes away from the individual wearing the Herb Tarlek suit, but the smell of perfume sends an automatic sonar ping to the brain that commands a search for the source.

The trappings of Victorian England are not terribly fashionable these days: debtors' prison, child labour and gunboat colonialism generally raise the eyebrow of polite company and may even elicit a stiff reproach. Even the most felicitous of 19th century adornments (whalebone corsets, pith helmets) are rarely seen on the street today. I suppose that all it takes is a couple of opium wars to tarnish the reputation of an entire era.

Be that as it may, there is one relic of Queen Victoria’s reign that remains as indispensable today as it was 150 years ago: the gin and tonic. Maybe it’s just my spats talking, but as far as I’m concerned, its astringent zing is the taste of civilization itself. Wine has the dubious distinction of being prehistoric — even Palaeolithic nomads could make a reasonable facsimile of Beaujolais, given some crushed fruit and a hollow rock where it can ferment in peace. However, it would hardly occur to a caveman to juxtapose bitterness, citrus and effervescence in a tumbler of Waterford crystal. In other words, gin and tonic is the kind of complex cuisine that only the better sort of Empire could devise.

The G&T’s strange flavours are a relic of the British occupation of the malarial parts of the world. In order to stave off the disease, British army officers were fed a steady diet of quinine, a pharmaceutical extract from the Peruvian cinchona tree. To make this bitter drug easier to swallow, the officers would add sugar and soda water. Somehow, gin leaked into this “tonic” and the dosage migrated to the cocktail hour. As Winston Churchill said, "The gin and tonic has saved more Englishmen's lives, and minds, than all the doctors in the Empire."

In the world of wine, blends can be beautiful. However, in the world of whisk(e)y, blends can often be bland. Of course, the whole point of blended whisky – and if we’re talking scotch we mean a whiskey fashioned via the blending of fairly neutral grain whiskey with more robust single malt – is to achieve a consistent style that will appeal to the average palate.

We at Tidings would like to think the palates of our writers and readers are somewhat above average. So we were pretty pleased when a bottle of The Black Grouse Blended Scotch Whisky (from the people who bring you The Famous Grouse) alighted on our doorstep. Crafted using a higher percentage of smoky peated malt than most other blended numbers, this is a serious whisky with a distinctively smoky yet complex and rounded character. Peat smoke, spice, molasses, cocoa and oak are woven together seamlessly into a smooth, rich, layered dram that should appeal to those typically attracted to single malts.

Ardbeg Dinner Tasting in Toronto

The rich oak paneled walls and plush leather chairs in the private dining room of Toronto’s swank Harbour Sixty Steakhouse provided a luxurious backdrop for a tasting of an equally luxurious libation: Ardbeg whiskey.

Global Brand Ambassador for both Ardbeg and Glenmorangie (we’ll get to the connection in a bit) David Blackmore presided over the tasting, introducing (or, in our case, reintroducing) a trio of Ardbeg Islay single malt scotches for a room of appreciative media types and scotch aficionados including (among others at our table) a trio of fun-loving guys from ScotchBlog.ca and the equally vivacious Tamsen McDonough from VIE magazine.

Ardbeg is the most heavily peated scotch in the world, so if you like your malts big, bold and smoky, it’s heaven in a glass. And though I would have never thought of doing it, the 10-year-old version (now a permanent listing in Ontario and priced just shy of $100) was used as the basis for a “Smoky Caesar” served with double smoked bacon as an aperitif and appetizer. Surprisingly tasty.

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