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The belle époque is an era France loves to remember. Known as the golden age of Paris — and recollected in painstaking detail by Proust, immortalized in the paintings of Toulouse-Lautrec — this period of prosperity before the First World War is hailed as an island of time during which life was good. France was enjoying a surge in industry, the arts as well as a brief well-earned peace between herself and her neighbours. And with leisure now a pursuit rather than a privilege, the cabaret was born — a venue for the audience and artists to unleash bourgeois inhibitions for an evening of wine, women, song and spectacle. A far cry from the stiff-lippedness of traditional theatre, its emblems were a black cat, a nimble rabbit, a womanly wedge of thigh flaunted in a series of skyward kicks. France does well to recall it fondly if only for its tourist trade. But one wonders if, over a century later, authentic spectacle still lurks in the City of Lights? Or is a night at the cabaret simply a Proustian exercise in nostalgia, a remembrance of things past, a tired ghost whored out to the bleary-eyed tourist for a depressingly ludicrous price?
Standing among the sun-drenched vineyards of the beautiful coastal Maremma region of southwest Tuscany (derived from mare, Italian for “sea”), you have to wonder how Dante could have written so negatively about the area. He professed that even the wildest beasts would find La Maremma uninviting. It is only recently, though, that this largely uninhabitable mosquito- and malaria-infested swamp was transformed — through extensive dredging and soil reclamation — into the lushly forested, villa-dotted destination for the Roman and Florentine cognoscenti.

First the bad news. Once the dust settles on the Beijing Olympics in 2008, wine prices for the world’s icon wines will rise significantly. Romanée-Conti, Pétrus, First-Growth Bordeaux and Château d’Yquem will be out of range for all but the mega-rich. This pressure on supply will affect prices for second-tier fine wines and have a trickle-down effect.

Why? Because the wealthy Chinese will witness how Western businessmen entertain in Beijing hotels and restaurants — and millionaires like to have what other millionaires have. Namely, the world’s great wines. There is only a limited supply of each vintage of the above-mentioned wines, which means that their prices will go up.

Now the good news. Regions that hitherto supplied the market with wallet-friendly but eminently drinkable wines will fill the gap with more elegant — and slightly more costly — versions of wines they already sell.

Over two million Canadians have diabetes.

For thirty-two years I’ve been a card-carrying member of the no-sugar-tonight club. The thing that always surprises people when they find out I’m diabetic is the significant part that food and wine play in my life. Reactions range from the somewhat curious (“How do you manage to do that?”) to the utterly admonishing (“Diabetics shouldn’t drink!” — to which I typically reply: “To your health!” before draining my glass). While the medical world has pretty much conceded that diabetics need not abstain from fermented fruit juice (or other potent potables), the question of what to drink and how much remains an issue.

I want to learn more about wine, but the thought of staring at a computer screen for hours gives me the willies. Can you recommend some good wine-related reading material I can enjoy from the comfort of my couch?

I’m with you; I sit in front of a computer for a living and a glowing monitor is the last thing I want to be cuddling up with during my off hours.

While I do love being able to hit a few keys and have the Internet tell me how to make the perfect martini or what bottle of vino some geeky blogger thinks will match best with my Kraft Dinner, when it comes to information gathering, nothing beats words on paper.

ImageIs a White Zinfandel wine made with white grapes?

No, it’s actually made from red fruit. Anyone who’s ever squeezed a grape knows the juice that oozes out is for the most part clear — no matter what the colour of the grape on the outside. It’s the length of time the juice is exposed to the skins after pressing that dictates how a wine will look in the glass, i.e., how long the liquids and solids soak together dictates how dark the wine gets.

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